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c. 1445 – May 17, 1510. Italian painter.

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Monamy, Peter
A ship running on to rocks in a violent storm

ID: 44751

Monamy, Peter A ship running on to rocks in a violent storm
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Monamy, Peter A ship running on to rocks in a violent storm


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Monamy, Peter

English Painter, 1681-1749 English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703  Related Paintings of Monamy, Peter :. | This and the fllowing plate are the only two line engraving which were executed by Monamy himself | Stern view of the Royal Caroline | British fleet advances on | The Royal yacht Peregrine and another yacht in the Medway off Gillingham Kent,Passing Upnor Castel | The Capture of Louisbourg |
Related Artists:
Johannes Gumpp
1626-after1646
Jean Baptiste Camille Corot
1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.
Eugen Kohlhauer
painted Dreimastbark unter vollen Segeln in 1898






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